Skip to main content

Made in Italy: L'ultima notte della nostra vita

I first spotted this absolute gem in Lecce, which was honestly ironic, because I’d downloaded the English audiobook to listen to on the train down to Puglia. I visited two bookstores in Lecce, Mondadori (yes, it’s also a bookstore as well as a publishing group) and La Feltrinelli. Both had L’ultima notte della nostra vita displayed right when you walked in, which, of course, made me immediately need to dissect every piece of it. Luckily, my roommate is super patient and just wandered off to look at other books that interested her. 

When I first saw the cover, I was surprised to see the title changed so drastically. Going from “they both die at the end” to “the last night of our life” is, well, at first it made little sense. Walking back from Mondadori, however, had both me and my roommate thinking. I told her about the Italian title and showed her photos, and we worked together to make a rough translation for the original title, which was "tutti e due muoiono alla fine.” We immediately decided the switch was probably done to make the Italian sound better. Low and behold, our Advanced Italian professor told us three days later about Accademia della Crusca and Italian’s standards for beautiful vs. brutto (literally meaning ugly) sounding words. 

Personally, even though I was surprised by it, I quickly grew to like the Italian title. I think it’s kind of cool how it focuses on night, which is when story both begins and ends. What’s also really interesting is the "della nostra vita" part—it’s both a shared life and singular possessive: “of our life." It's a nod to the boys and how, on their last day, their lives have blended together. The original title is marketing genius, and blunt in a kind way as it's preparing you for a brutal end, but it also keeps you looking towards the ending. You read “They Both Die at the End” as a title and go through the whole book wondering if both main characters can really die. "L'ultima notte della nostra vita" seems to be more concerned about pointing the reader to the themes of reflection, connection, and living. It draws the reader to symbols they may not have paid much attention to during their first read-through. Any title given to a work encompasses the themes and meanings well, but different titles put emphasis on different things. 

This edition was translated by Chiara Reali and published in Italy by Il Castoro HotSpot, an imprint of Editrice Il Castoro (who have also published various translations of DC books, including Gabriel Piccolo and Kami Garcia's Teen Titans graphic novels and Leigh Bardugo's "Wonder Woman"). "L'ultima notte della nostra vita" was published in May 2019, not even two years after the first English edition was released. That's not a lot of time to translate a novel, but there is a high possibility the translation acquisition was made prior to the English release. It's not uncommon.

Comments

Popular posts from this blog

Review: A Far Wilder Magic

Allison Saft’s Softmore novel, A Far Wilder Magic, is a 2022 standout. At its core a story about outcasts finding a home in one another, this historical fantasy is soft, deliberate, and welcoming, and is certain to leave you feeling charmed and cozy by the end. When Margaret Welty spots the legendary hala, the last living mythical creature, she knows the Halfmoon Hunt will soon follow. Whoever is able to kill the hala will earn fame and riches, and unlock an ancient magical secret. If Margaret wins the hunt, it may finally bring her mother home. While Margaret is the best sharpshooter in town, only teams of two can register, and she needs an alchemist. Weston Winters isn’t an alchemist—yet. Fired from every apprenticeship he's landed, his last chance hinges on Master Welty taking him in. But when Wes arrives at Welty Manor, he finds only Margaret and her bloodhound Trouble. Margaret begrudgingly allows him to stay, but on one condition: he must join the hunt with her. As the hunt ...

Review: Station Eleven

Station Eleven is the kind of novel that changes the way you look at people and art. Poignant, haunting, and fiercely optimistic, this book has you believe in humanity again.  Set in the days of civilization's collapse, Station Eleven tells the story of a Hollywood star, his would-be savior, and a nomadic group of actors roaming the scattered outposts of the Great Lakes region, risking everything for art and humanity. One snowy night a famous Hollywood actor slumps over and dies onstage during a production of King Lear. Hours later, the world as we know it begins to dissolve. Moving back and forth in time—from the actor's early days as a film star to fifteen years in the future, when a theater troupe known as the Traveling Symphony roams the wasteland of what remains—this suspenseful, elegiac, spellbinding novel charts the strange twists of fate that connect five people: the actor, the man who tried to save him, the actor's first wife, his oldest friend, and a young actress...

Review: Crier's War

A stunning debut from Nina Varela, Crier’s War is full of political intrigue, vibrant worldbuilding, and a slow-burn romance for the ages. Following the lives of Ayla and Crier, two girls on different sides of a species war, this book revives the rebel girl trope and amps it to levels of honesty and complexity YA rarely touches on.  After the War of Kinds ravaged the kingdom of Rabu, the Automae, designed to be the playthings of royals, usurped their owners’ estates and bent the human race to their will. Now Ayla, a human servant rising in the ranks at the House of the Sovereign, dreams of avenging her family’s death…by killing the sovereign’s daughter, Lady Crier. Crier was Made to be beautiful, flawless, and to carry on her father’s legacy. But that was before her betrothal to the enigmatic Scyre Kinok, before she discovered her father isn’t the benevolent king she once admired, and most importantly, before she met Ayla. Now, with growing human unrest across the land, pressures ...